{"id":1357,"date":"2025-08-15T14:31:28","date_gmt":"2025-08-15T14:31:28","guid":{"rendered":"https:\/\/tipografia.com.uy\/?p=1357"},"modified":"2026-03-26T14:25:38","modified_gmt":"2026-03-26T14:25:38","slug":"la-imprenta-de-la-caridad-1822-1855","status":"publish","type":"post","link":"https:\/\/tipografia.com.uy\/index.php\/2025\/08\/15\/la-imprenta-de-la-caridad-1822-1855\/","title":{"rendered":"La Imprenta de la Caridad 1822-1855"},"content":{"rendered":"[vc_row type=\u00bbin_container\u00bb full_screen_row_position=\u00bbmiddle\u00bb column_margin=\u00bbdefault\u00bb column_direction=\u00bbdefault\u00bb column_direction_tablet=\u00bbdefault\u00bb column_direction_phone=\u00bbdefault\u00bb scene_position=\u00bbcenter\u00bb text_color=\u00bbdark\u00bb text_align=\u00bbleft\u00bb row_border_radius=\u00bbnone\u00bb row_border_radius_applies=\u00bbbg\u00bb overflow=\u00bbvisible\u00bb class=\u00bbentrada-sin-imagen\u00bb overlay_strength=\u00bb0.3″ gradient_direction=\u00bbleft_to_right\u00bb shape_divider_position=\u00bbbottom\u00bb bg_image_animation=\u00bbnone\u00bb gradient_type=\u00bbdefault\u00bb shape_type=\u00bb\u00bb][vc_column column_padding=\u00bbno-extra-padding\u00bb column_padding_tablet=\u00bbinherit\u00bb column_padding_phone=\u00bbinherit\u00bb column_padding_position=\u00bball\u00bb column_element_direction_desktop=\u00bbdefault\u00bb column_element_spacing=\u00bbdefault\u00bb desktop_text_alignment=\u00bbdefault\u00bb tablet_text_alignment=\u00bbdefault\u00bb phone_text_alignment=\u00bbdefault\u00bb background_color_opacity=\u00bb1″ background_hover_color_opacity=\u00bb1″ column_backdrop_filter=\u00bbnone\u00bb column_shadow=\u00bbnone\u00bb column_border_radius=\u00bbnone\u00bb column_link_target=\u00bb_self\u00bb column_position=\u00bbdefault\u00bb gradient_direction=\u00bbleft_to_right\u00bb overlay_strength=\u00bb0.3″ width=\u00bb1\/1″ tablet_width_inherit=\u00bbdefault\u00bb animation_type=\u00bbdefault\u00bb bg_image_animation=\u00bbnone\u00bb border_type=\u00bbsimple\u00bb column_border_width=\u00bbnone\u00bb column_border_style=\u00bbsolid\u00bb][vc_column_text css=\u00bb\u00bb text_direction=\u00bbdefault\u00bb]Investigan: Andr\u00e9s Berrutti Souza<\/strong> y Luis Blau Lima<\/strong>
\nPublicaci\u00f3n: Colibr\u00ed<\/a><\/p>\n
\n

El t\u00edtulo completo de la tesis de grado de las autoras es: La Imprenta de la Caridad 1822-1855 : una aproximaci\u00f3n a la historia de la tipograf\u00eda y el dise\u00f1o editorial rioplatense bajo la perspectiva de la comunicaci\u00f3n visual<\/em><\/p>\n

Desde mediados del siglo XV, el dominio revelado por los componedores tipogr\u00e1ficos en las imprentas se ve reflejado en la constante producci\u00f3n y difusi\u00f3n de mensajes, cumpliendo un rol fundamental como impulsoras en la formaci\u00f3n de opini\u00f3n p\u00fablica. El marco te\u00f3rico en el que se sostiene el proyecto surge de la historia de las imprentas en el R\u00edo de la Plata, en particular, de la Imprenta de la Caridad y de las imprentas en el Uruguay colonial y republicano, narrados por Antonio Zinny (1883), Dardo Estrada (1912), Juan Pivel Devoto (1945), Guillermo Furlong S.J. y Enrique Arana (1947) y Antonio Praderio (1962).[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=\u00bbin_container\u00bb full_screen_row_position=\u00bbmiddle\u00bb column_margin=\u00bbdefault\u00bb column_direction=\u00bbdefault\u00bb column_direction_tablet=\u00bbdefault\u00bb column_direction_phone=\u00bbdefault\u00bb scene_position=\u00bbcenter\u00bb text_color=\u00bbdark\u00bb text_align=\u00bbleft\u00bb row_border_radius=\u00bbnone\u00bb row_border_radius_applies=\u00bbbg\u00bb overflow=\u00bbvisible\u00bb class=\u00bbentrada-sin-imagen\u00bb overlay_strength=\u00bb0.3″ gradient_direction=\u00bbleft_to_right\u00bb shape_divider_position=\u00bbbottom\u00bb bg_image_animation=\u00bbnone\u00bb gradient_type=\u00bbdefault\u00bb shape_type=\u00bb\u00bb][vc_column column_padding=\u00bbno-extra-padding\u00bb column_padding_tablet=\u00bbinherit\u00bb column_padding_phone=\u00bbinherit\u00bb column_padding_position=\u00bball\u00bb column_element_direction_desktop=\u00bbdefault\u00bb column_element_spacing=\u00bbdefault\u00bb desktop_text_alignment=\u00bbdefault\u00bb tablet_text_alignment=\u00bbdefault\u00bb phone_text_alignment=\u00bbdefault\u00bb background_color_opacity=\u00bb1″…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"single-custom-formacion-investigaciones.php","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-1357","post","type-post","status-publish","format-standard","category-7-investigaciones"],"_links":{"self":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/1357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/comments?post=1357"}],"version-history":[{"count":2,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/1357\/revisions"}],"predecessor-version":[{"id":1592,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/1357\/revisions\/1592"}],"wp:attachment":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/media?parent=1357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/categories?post=1357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/tags?post=1357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}