{"id":541,"date":"2019-06-21T16:49:03","date_gmt":"2019-06-21T16:49:03","guid":{"rendered":"https:\/\/tipografia.com.uy\/?p=541"},"modified":"2025-06-24T12:18:19","modified_gmt":"2025-06-24T12:18:19","slug":"reflexiones-sobre-tipografia-y-diseno-editorial","status":"publish","type":"post","link":"https:\/\/tipografia.com.uy\/index.php\/2019\/06\/21\/reflexiones-sobre-tipografia-y-diseno-editorial\/","title":{"rendered":"Reflexiones sobre tipograf\u00eda y dise\u00f1o editorial"},"content":{"rendered":"[vc_row type=\u00bbin_container\u00bb full_screen_row_position=\u00bbmiddle\u00bb column_margin=\u00bbdefault\u00bb column_direction=\u00bbdefault\u00bb column_direction_tablet=\u00bbdefault\u00bb column_direction_phone=\u00bbdefault\u00bb scene_position=\u00bbcenter\u00bb text_color=\u00bbdark\u00bb text_align=\u00bbleft\u00bb row_border_radius=\u00bbnone\u00bb row_border_radius_applies=\u00bbbg\u00bb overflow=\u00bbvisible\u00bb overlay_strength=\u00bb0.3&#8243; gradient_direction=\u00bbleft_to_right\u00bb shape_divider_position=\u00bbbottom\u00bb bg_image_animation=\u00bbnone\u00bb][vc_column column_padding=\u00bbno-extra-padding\u00bb column_padding_tablet=\u00bbinherit\u00bb column_padding_phone=\u00bbinherit\u00bb column_padding_position=\u00bball\u00bb column_element_direction_desktop=\u00bbdefault\u00bb column_element_spacing=\u00bbdefault\u00bb desktop_text_alignment=\u00bbdefault\u00bb tablet_text_alignment=\u00bbdefault\u00bb phone_text_alignment=\u00bbdefault\u00bb background_color_opacity=\u00bb1&#8243; background_hover_color_opacity=\u00bb1&#8243; column_backdrop_filter=\u00bbnone\u00bb column_shadow=\u00bbnone\u00bb column_border_radius=\u00bbnone\u00bb column_link_target=\u00bb_self\u00bb column_position=\u00bbdefault\u00bb gradient_direction=\u00bbleft_to_right\u00bb overlay_strength=\u00bb0.3&#8243; width=\u00bb1\/1&#8243; tablet_width_inherit=\u00bbdefault\u00bb animation_type=\u00bbdefault\u00bb bg_image_animation=\u00bbnone\u00bb border_type=\u00bbsimple\u00bb column_border_width=\u00bbnone\u00bb column_border_style=\u00bbsolid\u00bb][vc_column_text css=\u00bb\u00bb text_direction=\u00bbdefault\u00bb]Autor: <b>Vicente Lam\u00f3naca<\/b><br \/>\nEditorial: <strong>\u00a1Que sea para bien! \/ dogma580<\/strong><br \/>\nA\u00f1o: <strong>2019<\/strong><br \/>\nisbn: 978-9974-94-627-9<\/p>\n<hr \/>\n<p>En esta publicaci\u00f3n se presentan 3 breves ensayos reflexivos: <em>Capas tipogr\u00e1ficas,<\/em> sobre la interpretaci\u00f3n comunicativa del signo tipogr\u00e1fico en v\u00ednculo con el trabajo de William Addison Dwiggins y la F\u00f3rmula M, <em>Adi\u00f3s Beatrice,<\/em> sobre el ejercicio del dise\u00f1o editorial y <em>\u00bfTipograf\u00eda modular?<\/em> en donde se presentan las dificultades conceptuales para la creaci\u00f3n modular de tipograf\u00edas en tanto los or\u00edgenes culturales y temporales diversos de las may\u00fasculas, min\u00fasculas, n\u00fameros y signos de puntuaci\u00f3n.[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=\u00bbin_container\u00bb full_screen_row_position=\u00bbmiddle\u00bb column_margin=\u00bbdefault\u00bb column_direction=\u00bbdefault\u00bb column_direction_tablet=\u00bbdefault\u00bb column_direction_phone=\u00bbdefault\u00bb scene_position=\u00bbcenter\u00bb text_color=\u00bbdark\u00bb text_align=\u00bbleft\u00bb row_border_radius=\u00bbnone\u00bb row_border_radius_applies=\u00bbbg\u00bb overflow=\u00bbvisible\u00bb overlay_strength=\u00bb0.3&#8243; gradient_direction=\u00bbleft_to_right\u00bb shape_divider_position=\u00bbbottom\u00bb bg_image_animation=\u00bbnone\u00bb][vc_column column_padding=\u00bbno-extra-padding\u00bb column_padding_tablet=\u00bbinherit\u00bb column_padding_phone=\u00bbinherit\u00bb column_padding_position=\u00bball\u00bb column_element_direction_desktop=\u00bbdefault\u00bb column_element_spacing=\u00bbdefault\u00bb desktop_text_alignment=\u00bbdefault\u00bb tablet_text_alignment=\u00bbdefault\u00bb phone_text_alignment=\u00bbdefault\u00bb background_color_opacity=\u00bb1&#8243; background_hover_color_opacity=\u00bb1&#8243; column_backdrop_filter=\u00bbnone\u00bb column_shadow=\u00bbnone\u00bb&#8230;<\/p>\n","protected":false},"author":2,"featured_media":542,"comment_status":"open","ping_status":"closed","sticky":false,"template":"single-custom-formacion-investigaciones.php","format":"standard","meta":{"footnotes":""},"categories":[33,3],"tags":[],"class_list":{"0":"post-541","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-5-publicaciones","8":"category-vicente-lamonaca"},"_links":{"self":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/comments?post=541"}],"version-history":[{"count":2,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/541\/revisions"}],"predecessor-version":[{"id":663,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/posts\/541\/revisions\/663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/media\/542"}],"wp:attachment":[{"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/media?parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/categories?post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tipografia.com.uy\/index.php\/wp-json\/wp\/v2\/tags?post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}